Jim zo
Jim zo or clay work is an ancient craft having been practiced and passed on over the centuries. This art work preceded other sculpture works such as bronze or other metal works. Statues of deities, gods and goddesses and other prominent religious figures in fact exemplify clay work in Bhutan. Every monastery, temple and the Dzongs have in them installed clay statues from where pilgrims and devout Buddhists draw their inspiration from. The master craftsmen are known as Jim zo lopen and the skill is imparted to the young novices through vigorous trainings spread over the years.
Besides the clay statues, the tradition of clay potteries is still alive though much of the potteries are now being used as show pieces and flower vases. While the art of modeling statues are confined to men, the art of pottery is normally the handiwork of women. While we find three distinctive types of clayware: earthenware, stoneware and the china-clayware, in Bhutan, we find only the first type, the earthenware.
What is required for success in the work on clay is the composition of clay by using balanced materials, skills in shaping the wet clay and firing to the correct temperature. The baked items were then coated with lac to render them waterproof. While this tradition is almost dying the women of Lhuentse and Paro still try and keep this tradition alive.
Besides the clay statues, the tradition of clay potteries is still alive though much of the potteries are now being used as show pieces and flower vases. While the art of modeling statues are confined to men, the art of pottery is normally the handiwork of women. While we find three distinctive types of clayware: earthenware, stoneware and the china-clayware, in Bhutan, we find only the first type, the earthenware.
What is required for success in the work on clay is the composition of clay by using balanced materials, skills in shaping the wet clay and firing to the correct temperature. The baked items were then coated with lac to render them waterproof. While this tradition is almost dying the women of Lhuentse and Paro still try and keep this tradition alive.